Here is an excerpt:
For instance: Suspense is created by having sympathetic characters. More and more, Child said, this rule doesn’t add up. Case in point: In The Runaway Jury by John Grisham, Child said there isn’t a sympathetic character in the entire book—there are bad guys, and worse guys. Instead of sympathetic characters, the book is driven by what the verdict of the trial at the heart of the story will be.
“And that’s how you create suspense,” he said—it all boils down to asking a question and making people wait for the answer.
Child added that one thing he has learned throughout his career as a television writer and novelist is that humans are hard-wired to want the answer to a question. When the remote control was invented, it threw the TV business through a loop. How would you keep people around during a commercial? So TV producers started posing a question at the start of the commercial break, and answering it when the program returned. (Think sports—Who has the most career grand slams?) Even if you don’t care about the answer, Child said, you stick around because you’re intrigued.
Ultimately, he said writing rules make the craft more complicated than it really is—when it comes down to it, it’s a simple thing.
“The way to write a thriller is to ask a question a the beginning, and answer it at the end,” he said.
When he’s crafting his books, Child doesn’t know the answer to his question, and he writes scene by scene—he’s just trying to answer the question as he goes through, and he keeps throwing different complications in that he’ll figure out later. And that very well may be the key to his sharp, bestselling prose.
“For me the end of a book is just as exciting as it is for a reader,” he said.
- See more at: http://www.writersdigest.com/whats-new/lee-child-debunks-the-biggest-writing-myths#sthash.oMJZGdxy.dpuf
January Magazine Interview with Lee Child
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